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ÄÚ¸£±× ½Åµð»çÀÌÀú Triton Le 61°Ç¹Ý

Á¦Ç°¼³¸í

*°íÇ°ÁúÀÇ Æ®¶óÀÌÅæ »ç¿îµå µ¥ÀÌÅÍ

TRITON LE´Â 32 Mbyte PCM ROM(¹°·Ð Æ®¶óÀÌÅæÀ¸·ÎºÎÅÍ Â÷¿ëÇÑ °ÍÀÔ´Ï´Ù)Àº 425 ¸ÖƼ»ùÇðú 413 µå·³ »ùÇõé·Î ÀÌ·ç¾îÁ® ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ »ùÇõéÀº ¾ø¾î¼­´Â ¾È µÇ´Â ¾Ç±âµé(ÇǾƳë, ±âŸ, ºê¶ó½º, ½ºÆ®¸µ°ú ÆÛÄí¼Ç °°Àº)ÀÇ °è¿­À» Æø ³Ð°Ô Ä¿¹öÇØ Á༭ °¡Àå Çö´ëÀûÀÎ ½Å½º »ç¿îµåµé·Î ´í½º ±×·çºê¿¡ °¡Àå ¿Ïº®ÇÑ È£È¯¼ºÀ» Á¦°øÇÕ´Ï´Ù.

°íÇ°ÁúÀÇ 48-kHz »ùÇøµÀº ¸ðµç »ç¿îµåÀÇ ¼¼¼¼ÇÑ ºÎºÐ±îÁö dzºÎÇÏ°Ô º¸Á¸½ÃÄÑ ÁÝ´Ï´Ù.

*Æ®¶óÀÌÅæ »ç¿îµå¿¡ »õ·Ó°Ô Ãß°¡µÈ Èï¹Ì·Î¿î »ç¿îµåµé

TRITON LEÀÇ Æ¯Â¡Àº µÎ°³ÀÇ °íÇ°Áú »ç¿îµå¸¦ TRITONÀÇ preload data¿Í »õ·Î¿î ÇÁ·Î±×·¥ ºÐ·ù·ÎºÎÅÍ ¼±ÅÃÇÒ ¼ö ÀÖ´Ù´Â °ÍÀÔ´Ï´Ù.

Ãß°¡·Î 448°³ÀÇ onboard programs(64 ÇÁ·Î±×·¥ ·ÎÄÉÀ̼ǵéÀº ¶ÇÇÑ ÀڽŸ¸ÀÇ »ç¿îµå creations/edits·Î »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù), 128°³ ÇÁ·Î±×·¥°ú 9°³ µå·³ Å°Æ®(GM Level 2 »ç¿îµå ¸Ê°ú ȣȯ °¡´ÉÇÑ)µéÀÌ Æ÷ÇԵǾî ÀÖ°í TRITON LE°¡ GM¿¡ ȣȯµÇ°Ô ÇÕ´Ï´Ù.

TRITON LE´Â ¶ÇÇÑ °¢°¢¿¡ 8°³±îÁö ÇÁ·Î±×·¥ÇÒ ¼ö ÀÖ´Â 384°³ÀÇ ÄÞºñ³×À̼ÇÀ» Æ÷ÇÔÇÏ°í ÀÖ½À´Ï´Ù. ÀÌ ÄÞºñ³×À̼ÇÀº dzºÎÇÑ layered sounds, splits, velocity layers¸¦ Æ÷ÇÔÇÏ°í ÀÖ½À´Ï´Ù.

¶ÇÇÑ TRITON LEÀÇ ÇÁ·Î±×·¥, ÄÞºñ³×À̼ǰú µå·³ Å°µå¸¦ °³ÀÎÀÇ ÃëÇâ¿¡ ¸Â°Ô ¹Ù²Ü ¼ö ÀÖÀ¸¸ç ¶Ç´Â ÃëÇâ¿¡ ¸Â°Ô ¸¸µé ¼öµµ ÀÖ½À´Ï´Ù. TRITON LEÀÇ ³»ºÎ ¸Þ¸ð¸®¿¡ 512 ÇÁ·Î±×·¥/384 ÄÞºñ³×À̼Ç/24 µå·³ Å°Æ®¸¦ µ¤¾î ¾µ ¼ö ÀÖ½À´Ï´Ù.

ÀÌ·¯ÇÑ ¸ðµç °ÍµéÀº ½ºÄ«Æ®¹Ìµð¾î Ä«µå³ª ¿ÜÀå ÇÏµå µå¶óÀÌºê ¶Ç´Â ÂøÅ»½Ä ¹Ìµð¾î µå¶óÀ̺ê(¸¸¾à optional EXB-SMPL »ùÇøµ ¾÷±×·¡ÀÌµå º¸µå°¡ ÀνºÅç µÇ¾ú´Ù¸é)¿¡ ¹é¾÷ÇÒ ¼ö À־ ¼ö¸¹Àº ÀڽŸ¸ÀÇ »ç¿îµå¿Í ¶óÀ̺귯¸®¸¦ ¸¸µé ¼ö ÀÖ½À´Ï´Ù.

*½ºÆ©µð¿À Ä÷¸®Æ¼¸¦ À§ÇÑ 4°³ ÆÄÆ®ÀÇ ÀÌÆåÆ® ¼½¼Ç

TRITON LE´Â ÇÑ °³ÀÇ ½ºÅ×·¹¿À Àμ­Æ® ÀÌÆåÆ®, µÎ °³ÀÇ ¸¶½ºÆ® ÀÌÆåÆ®¿¡ ÇϳªÀÇ ¸¶½ºÆ® EQ(stereo 3 band)¸¦ Ãß°¡ ½ÃÄ×°í ¹Í¼­ ¼½¼ÇÀº À̵éÀÇ ¶ó¿ìÆÃÀ» ÄÁÆ®·ÑÇÕ´Ï´Ù.

89°³ÀÇ ´Ù¸¥ ÀÌÆåÆ® ŸÀÔµéÀº Æ®¶óÀÌÅæ¿¡ ÀÖ´Â °Í°ú °°Àº °íÇ°ÁúÀÇ ÇÁ·Î¼¼½ÌÀ» °¡´ÉÇÏ°Ô ÇÏ¸ç ´Ù·®ÀÇ ÀÌÆåÆ® ÆĶó¹ÌÅÍ ¸®¾óŸÀÓ ¸ðµâ·¹À̼ǰú ³»ºÎ ½ÃÄö¼­ ¶Ç´Â ¹Ìµð Ŭ¶ô¿¡ ½ÌÅ©ÇÒ ¼ö ÀÖ´Â ±â´ÉÀ» Æ÷ÇÔÇÏ°í ÀÖ½À´Ï´Ù.

ÀÌÆåÆ®µéÀº °¢°¢ÀÇ ÇÁ·Î±×·¥, ÄÞºñ³×À̼ǰú Song¿¡ ¼³Á¤ÇÒ ¼ö À־ ¾î¶² ´Ù¸¥ Ãß°¡ÀûÀÎ Àåºñ ¾øÀÌ ¿Ïº®ÇÏ°Ô »ç¿îµå¸¦ ¼¼¼¼ÇÑ ºÎºÐ±îÁö Á¦¾îÇÒ ¼ö ÀÖ½À´Ï´Ù.

*¸ðµç Ư¡À» °¡Áö°í ÀÖ´Â 16-track ½ÃÄö¼­

ÃÖ´ë 200,000°³ ±îÁöÀÇ ³ëÆ®¿Í 200°³ÀÇ ³ë·¡¸¦ ¼ö¿ëÇÒ ¼ö ÀÖ´Â ¿ÏÀüÇÑ 16 Æ®·¢ ½ÃÄö¼­°¡ ³»ÀåµÇ¾î ÀÖ°í Æ®¶óÀÌÅæ°ú Ä«¸£¸¶¿¡¼­ÀÇ ¶È°°Àº ·¹º§ ±â´ÉÀ» °¡´ÉÇÏ°Ô ÇÕ´Ï´Ù. ½Ç½Ã°£À¸·Î ¶Ç´Â ´Ü°è º°·Î ·¹ÄÚµåÇÒ ¼ö ÀÖ°í ÆÄ¿öÇ®ÇÑ editing tools°¡ Á¦°øµË´Ï´Ù.

Cue List´Â ºÐ¸®µÈ ¿ä¼Òµé(Verse, Chorus, Break, µîµî)·ÎºÎÅÍ ³ë·¡¸¦ Á¶ÇÕÇÒ ¼ö ÀÖ°Ô ÇÏ°í ½ÉÁö¾î´Â ´õ ³ªÀº ·¹ÄÚµù°ú ¿¡µðÆÃÀ» À§ÇØ ÇÑ °îÀÇ ³ë·¡ ¾È¿¡ ´Ù½Ã ±×°ÍµéÀ» ÄÁ¹öÆÃÇÒ ¼ö ÀÖ½À´Ï´Ù. °­·ÂÇÑ ±â´ÉµéÀº ¿¬¼ÓÀûÀ¸·Î Àç»ý, structure¿¡ º¯È­¿Í songÀÇ ¼½¼ÇÀ» ´Ù½Ã Àç¹è¿­ÇÒ ¼ö ÀÖ½À´Ï´Ù. 150°³ÀÇ preset µå·³ ÆÐÅÏ°ú 100°³ÀÇ À¯Àú ÆÐÅÏ, Æ®·¢ÀÇ Æ¯Á¤ ¸¶µð¸¦ ¹Ýº¹ Àç»ýÇÒ ¼ö ÀÖ´Â Æ®·¢ ·çÇÁ ±â´É ±×¸®°í ½ÉÁö¾î Template Song ±â´É(16 presets°ú 16 user memories)Àº ÇÁ·Î±×·¥°ú ´Ù¾çÇÑ À½¾Ç ½ºÅ¸ÀÏÀ» ÀûÀýÇÏ°Ô ¸ÂÃçÁÖ´Â ÀÌÆåÆ® ¼³Á¤À» Æ÷ÇÔÇÏ°í À־ ¸ðµç À½¾ÇÀ» ½±°í ºü¸£°í È¿°úÀûÀ¸·Î ¸¸µé ¼ö ÀÖ½À´Ï´Ù.

½ÃÄö½º µ¥ÀÌÅÍ´Â SMF Æ÷¸Ë 0 ¶Ç´Â 1·Î ÀúÀåÇÒ ¼ö ÀÖ°í ÀÌ°ÍÀ» °£ÆíÇÏ°Ô ´Ù¸¥ ½ÃÄö¼­³ª ½ÃÄö½Ì ¼ÒÇÁÆ®¿þ¾î¿¡·Î ±³È¯ÇÒ ¼ö ÀÖ½À´Ï´Ù. µ¥ÀÌÅÍ´Â ½º¸¶Æ®¹Ìµð¾î¸¦ ÅëÇØ ÀúÀåÇϰųª ¹Ù²Ü ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ EXB-SMPL »ùÇøµ ¾÷±×·¹ÀÌµå ¿É¼ÇÀ» ÀåÂøÇßÀ» ¶§ µ¥ÀÌÅ͸¦ ½ºÄ«½Ã Àåºñ¿¡ ÀúÀåÇÒ ¼ö ÀÖ½À´Ï´Ù.

*Æ®¶óÀÌÅæÀ¸·ÎºÎÅÍ ¹°·Á ¹ÞÀº RPPR ±â´É°ú µà¾ó ¾Æ¸£ÆäÁö¿¡ÀÌÅÍ

TRITON LE´Â º¹ÀâÇÏ°í dzºÎÇÑ ÇÇÄ¡ ÆÐÅÏ ¶Ç´Â µå·³ ±×·çºê¸¦ ¸¸µé ¶§ »ç¿ëÇÒ ¼ö ÀÖ´Â 2°³ÀÇ °­·ÂÇÑ Æú¸®Æ÷´Ð ¾Æ¸£ÆäÁö¿¡ÀÌÅ͸¦ Á¦°øÇÕ´Ï´Ù.

205°³(5 preset/200 editable) ÆÐÅÏÀÌ Á¦°øµÇ°í 16°³ À¯Àú ·ÎÄÉÀ̼ÇÀ» ÀÌ¿ëÇØ ÀڽŸ¸ÀÇ ÆÐÅÏÀ» ¸¸µé ¼ö ÀÖ½À´Ï´Ù. ÇÁ·Î±×·¥ ¸ðµå¿¡¼­ ÇϳªÀÇ ¾Æ¸£ÆäÁö¿¡ÀÌÅÍ, ÄÞºñ¿Í ½ÃÄö¼­ ¸ðµå¿¡¼­ µÎ °³ÀÇ ¾Æ¸£ÆäÁö¿¡ÀÌÅ͸¦ »ç¿ëÇÒ ¼ö ÀÖ°í ½ÉÁö¾î ³»ºÎ ½ÃÄö¼­¿¡ ¾Æ¸£ÆäÁö¿¡ÀÌÅ͸¦ ·¹ÄÚµåÇÒ ¼ö ÀÖ½À´Ï´Ù. KorgÀÇ µ¶Æ¯ÇÑ RPPR ±â´ÉÀº DJ ½ºÅ¸ÀÏ ÆÛÆ÷¸Õ½º¸¦ À§ÇØ °¢°¢ÀÇ °Ç¹ÝÀ¸·ÎºÎÅÍ ½ÃÄö½ºµÈ ÆÐÅÏÀ» Æ®¸®°ÅÇÒ ¼ö ÀÖ½À´Ï´Ù.
*EXB-SMPL: »ùÇøµ ¾÷±×·¹À̵å´Â °­·ÂÇÑ »ùÇøµÀ» ½ÇÇöÇÒ ¼ö ÀÖ°Ô ÇÕ´Ï´Ù.

EXB-SMPL »ùÇøµ ¾÷±×·¹À̵å´Â mic/lineÀ» ¿¬°áÇÒ ¼ö ÀÖ´Â µÎ °³ÀÇ ¿Àµð¿À ÀÎDzÀ» Ãß°¡ ½ÃÄÑÁÖ°í ´Ù¾çÇÑ gain ³ëºê, ½ºÄ«½Ã ÀÎÅÍÆäÀ̽º ±×¸®°í 48-kHz 16-bit linear mono/stereo »ùÇøµÀ» Áö¿øÇÕ´Ï´Ù.

Sample waveform editing ±â´ÉÀº Crossfade Loop, Truncate, Normalize, Time Slice, Time Stretch¿Í Rate Convert¸¦ Æ÷ÇÔÇÏ°í ÀÖÀ¸¸ç ÀÌ·¯ÇÑ Á¡Àº Á¤±³ÇÑ »ùÇ÷¯·ÎºÎÅÍ ¿¡µðÆÃÀ» ÇÒ ¼ö ÀÖ°Ô ÇÕ´Ï´Ù. ¶ÇÇÑ ¿ÜÀå ½ºÄ«½Ã Àåºñ¸¦ ¿¬°áÇÒ ¼ö À־ CD-ROM »ç¿îµå ¶óÀ̺귯¸®¸¦ ÀÌ¿ëÇÒ ¼ö Àְųª Æø ³Ð°Ô ÀڷḦ ÀúÀåÇÒ ¼ö ÀÖ½À´Ï´Ù. Korg Æ÷¸Ë µ¥ÀÌÅÍ¿Í ´õºÒ¾î AIFF, WAVE, AKAI, S1000/3000(»ùÇðú ¸ÖƼ»ùÇÃ)µéÀÌ ¸ðµÎ Áö¿øµË´Ï´Ù.

EXB-SMPL º¸µå´Â SIMM ¸Þ¸ð¸® 16-Mbytes¸¦ ÀåÂøÇÏ°í ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ Á¡Àº ´ë·« 2ºÐ 54ÃÊÀÇ ¸ð³ë »ùÇøµ, ¶Ç´Â ½ºÅ×·¹¿À 1ºÐ 27ÃÊ »ùÇøµÀÌ °¡´ÉÇÕ´Ï´Ù. 72-pin SIMM ¸Þ¸ð¸®´Â 64¸Þ°¡±îÁö È®Àå °¡´ÉÇÕ´Ï´Ù.(64¸Þ°¡·Î È®ÀåÇÒ °æ¿ì ½½·ÔÀÌ 2°³À̱⠶§¹®¿¡ 16¸Þ°¡ ·¥À» »©³»°í 32¸Þ°¡ ·¥ 2°³¸¦ ³¢¿ì¸é µË´Ï´Ù)

*Æí¸®ÇÏ°í ¸¹Àº ¿ë·®À» ÀúÀåÇÒ ¼ö ÀÖ´Â ½º¸¶Æ®¹Ìµð¾î Ä«µå

TRITON LE ½º¸¶Æ®¹Ìµð¾î ½½·ÔÀº °£ÆíÇÏ°í ¸¹Àº ·®À» ¼ö¿ëÇÒ ¼ö ÀÖ´Â ½º¸¶Æ®¹Ìµð¾î¸¦ ÀåÂøÇÒ ¼ö ÀÖ°Ô ÇÕ´Ï´Ù. ½º¸¶Æ®¹Ìµð¾î´Â ¸¹Àº ¾çÀÇ µ¥ÀÌÅ͸¦ °£ÆíÇÏ°Ô ¹é¾÷À̳ª ±³È¯ÇÒ ¼ö ÀÖ½À´Ï´Ù. Ç÷ÎÇÇ µð½ºÅ© 90°³ °¡±îÀÌ µÇ´Â ÇÁ·Î±×·¥, ÄÞºñ, ½ÃÄö½º¸¦ ÀúÀåÇÒ ¼ö ÀÖ´Ù°í »ó»óÇØ º¸½Ê½Ã¿À. Ä«µå¿¡ ±â·ÏµÈ µ¥ÀÌÅÍ´Â °ÅÀÇ ·Îµå ŸÀÓÀÌ ¾ø½À´Ï´Ù. ½º¸¶Æ®¹Ìµð¾î »çÀÌÁî´Â ÃÖ´ë 128¸Þ°¡±îÁö Áö¿øµÇ¸ç µ¥ÀÌÅÍ´Â °£ÆíÇÏ°Ô ÄÄÇ»ÅÍ·Î ±³È¯ °¡´ÉÇÕ´Ï´Ù.

*°£ÆíÇÑ ÄÁÆ®·Ñ

TRITON LE´Â Á¶À̽ºÆ½, µÎ °³ÀÇ assignable ½ºÀ§Ä¡ ±×¸®°í 4°³ÀÇ ¸®¾óŸÀÓ ³ëºêµéÀ» Á¦°øÇϸç À̵éÀ» ÀÌ¿ëÇØ Alternate Modulation Sources¸¦ LFO¿Í filters µî¿¡ Àû¿ëÇÒ ¼ö ÀÖÀ¸¸ç ¶ÇÇÑ ´ÙÀ̳ʹÌÄÃÇÏ°Ô ÀÌÆåÆ® ÆĶó¹ÌÅͳª ¾Æ¸£ÆäÁö¿¡ÀÌÅ͸¦ ÄÁÆ®·ÑÇÒ ¼ö ÀÖ½À´Ï´Ù.

TRITON LE¿¡ ÀÖ´Â ¶Ù¾î³­ ¼Ò¸®µéÀ» °æÇèÇØ º¸½Ê½Ã¿À. [CATEGORY]Å°·Î ½±°Ô ÇÁ·Î±×·¥°ú ÄÞºñ³×À̼ÇÀ» ºü¸£°Ô ã¾Æ º¼ ¼ö ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ ¡®category selection' ¹æ¹ýÀº »ç¿îµå¸¦ ¼±ÅÃÇϴµ¥ ¾²ÀÏ »Ó¸¸ ¾Æ´Ï¶ó ¿À½Ç·¹ÀÌÅÍ ¿þÀ̺êÆûµé°ú ÀÌÆåÆ® ¾Ë°í¸®ÁòÀ» ¼±ÅÃÇÒ ¶§µµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.

[AUDITION] Å°´Â ÇöÀç ¼±ÅÃÇÑ ÇÁ·Î±×·¥ »ç¿îµå¸¦ ¹Ì¸® µé¾î º¼ ¼ö ÀÖ°Ô ÇÕ´Ï´Ù.

Related Press Releases:

Korg Expands the TRITON Range with the New TRITON Le


Specifications subject to change without notice



Á¦Ç°»ç¾ç

* System Hi Synthesis System/ 48kHz Sampling frequency
* GM-GS-XG Only GM
* Keyboard 61 Key-FATAR "TP-9" with After-touch


* PCM Wave memory 32M Byte (same size as the TRITON)
425 Multi Sample + 413 Drum Sample
* MAX Voice Polyphony
62 Voice - 62 Oscillator (Single Mode)
31 Voice - 62 Oscillator (Double Mode)
* Effects Stereo Digital Multi Effect System
2 Master FX/1 IFX/1 Master 3-Band EQ (89 type)

* Programs Preset: 128 GM Program for G Bank
Pre Load Program:448 Program for A-B-C-D(64 Prog)Bank
*OPTION=EXB SMPL "Sampling Upgrade" installed
---> Sampling Program: 128 for D Bank
* Combination RAM:384 for A-B-C Bank
Pre Load: 384 for A-B-C Bank
* Drum Program ROM: 9(Based on GM2) / RAM: 24 /
Pre Load: 15


* User Sampling OPTION (Equal to "TRITON")
16bit / 48kHz Stereo-Monaural Sampling /
2 "SIMM SLOT" ---> MAX:64MB for Memory
MAX 1,000 Multi-Sample/ 4,000 Sample/ MAX
128 Sample for 1 Multi-Sample
Format = AIFF - WAVE - AKASI "S1000/S3000"-
KORG
* Song Play No
* RPPR Yes, 1set for 1 Song
You can use "100 User & 150 Preset pattern
in SEQ Mode"as RPPR
* Arpeggiator Yes "Poly Arpeggiator"
User: 216 pattern / Preload: 200 pattern
* Sequence Yes (Equal to "TRITON")
16Track MIDI Seq./200,000note/ 200Song/20 Que/150 Preset
100 User Pattern for 1 song/ 16 Preset Template song /
16 User
Template Song.


* Audition SW Yes
* Category SW Yes
* Joystick Yes
* Assignable Slider No
* Assignable knobs Yes - 4 knobs + Assignable SW1 / SW2
* Display Same of "KARMA" = 240 x 64 dot(120x32mm)LCD
* 10 Key block Yes(0......9,-,+,Hold/ Enter)
* Bank SW A/B/C/D- SMPL/GM
* Mode SW COMBI/ PROG/ SEQ/ GLOBAL/ MEDIA/
EXB-SMPL(OPTION:EXB-SMPL "Sampling
Upgrade" installed Only)
* Sequence block LOCATE/ REC/ START-STOP/ PAUSE/
REW/ FF
* VALUE block INC/ DEC/ Rotary Encoder/ Cursor
Position/ MENU-Page/EXIT
* Others F1 ---- F8 / TIMBRE or RACK
* Arpeggiator Yes(Start - Stop SW)


* MIDI Main "Mono/L, R" + Indivi. "1, 2"
* Headphone Yes
* Control Inputs 1 Assignable Pedal/ 1 Assignable
Switch/
Damper("Half Pedal function
applicable)
* Media Slot 72 pin SIMM = 2 Slot(Up to 64MB)
* Dimensions(Size) TRITON Le 61 = 1,045.2(W) x 302.3
(D) x 95.3(H)mm
TRITON Le 76 = 1,257.6(W) x 302.3
(D) x 95.3(H)mm
* Weight TRITON Le 61 = 7.8kg / TRITON Le 76 = 9.2kg
* Accessories AC Adaptor "KA16X Series"
* Options EXB-SMPL "Sampling Upgrade"(User
Installable)


- AUDIO INPUT1, 2 / -LEVEL SWITCH(LINE/MIC)
- LEVEL VOLUME / -SCSI INTERFACE
- 16 Mbyte 72pin SIMM x 1 piece included

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32 ¾Ç±â¾ÚÇÁ Ææ´õ(fender) Chapion 100 60,000 ¿ø
31 ¾Ç±â¾ÚÇÁ º£À̽º¾ÚÇÁ swr sr15 50,000 ¿ø
30 ¾Ç±â¾ÚÇÁ ŰŸ¾ÚÇÁ ¸Ï¼£(marshall) JCM2000 TSL100 100,000 ¿ø
29 Å°º¸µå kurzweil pc2x Å©ÁîÀ£½Åµð»çÀÌÁî 88°Ç¹Ý Å°º¸µå 100,000 ¿ø
28 Å°º¸µå korg triton le 61°Ç¹Ý Æ®¶óÀÌÅæ Å°º¸µå ½Åµð»çÀÌÁî 60,000 ¿ø
27 ¾Ç±â¾ÚÇÁ AMPEG SVT-3 PRO + SVT810E ¾ÏÆå º£À̽º¾ÚÇÁ ¼¼Æ® 120,000 ¿ø
26 ¾Ç±â¾ÚÇÁ marshall jcm800 ¸¶¼£Å°Å¸¾ÚÇÁ 60,000 ¿ø
25 ¾Ç±â¾ÚÇÁ Marshall VALVE STAGE 2000 AVT150x ¸¶¼£Å°Å¸¾ÚÇÁ 60,000 ¿ø
24 »ç¹°³îÀÌ »ç¹°³îÀÌ Àå°í 25,000 ¿ø
23 »ç¹°³îÀÌ »ç¹°³îÀÌ ²Ñ°ú¸® 20,000 ¿ø
22 »ç¹°³îÀÌ »ç¹°³îÀÌ Â¡ 25,000 ¿ø
21 »ç¹°³îÀÌ »ç¹°³îÀÌ ºÏ 20,000 ¿ø
20 Ÿ¾Ç±â µå·³¼¼Æ® (Ludwig Accent )·çµñ ¿¢¼¾Æ® Ä¿½ºÅÒ 100,000 ¿ø
19 ¾Ç±â¾ÚÇÁ ŰŸ¾ÚÇÁ ¸¶¼£(Marshall VALVE STATE) VS-100R 50,000 ¿ø
18 °ü¾Ç±â Çø¡ - ¾ß¸¶ÇÏ YAMAHA YFL 221 40,000 ¿ø
17 ¾Ç±â¾ÚÇÁ ŰŸ¾ÚÇÁ - ¸¶¼£¾ÚÇÁ marshall MG100DFX 50,000 ¿ø
16 ¾Ç±â¾ÚÇÁ º£À̽ºÅ°Å¸¾ÚÇÁ - ·¹À̴ϾÚÇÁ(Laney) RBW-200 125W 50,000 ¿ø
15 ¾Ç±â¾ÚÇÁ º£À̽ºÅ°Å¸¾ÚÇÁ ÇÏÄÉ(hartke)A100 º£À̽ºÄÞº¸¾ÚÇÁ 50,000 ¿ø
14 Ÿ¾Ç±â ´ëºÏ, Å«ºÏ 60,000 ¿ø
13 ±âŸ¾Ç±â¿ëÇ° ÁöÈÖÀÚ¿ë º¸¸é´ë(M-1500) 15,000 ¿ø
12 ±âŸ¾Ç±â¿ëÇ° º¸¸é´ë (Bando 703) 5,000 ¿ø
11 Å°º¸µå Å°º¸µå ½ºÅÄµå ¹Ýµµ405 5,000 ¿ø
10 Å°º¸µå ·Ñ·£µå Å°º¸µå(½Åµð»çÀÌÁî) D50 50,000 ¿ø
9 Å°º¸µå ·Ñ·£µå Æ÷Ÿºí Å°º¸µå ROLAND EM-15k 50,000 ¿ø
8 Å°º¸µå Ä¿Áî¿ÍÀÏ Å°º¸µå(½Åµð»çÀÌÁî) pc88 80,000 ¿ø
7 ¾Ç±â¾ÚÇÁ º£À̽ºÅ°Å¸¾ÚÇÁ PEAVEY BASS MARK4 SPEAKER 60,000 ¿ø
6 ¾Ç±â¾ÚÇÁ Å°º¸µå¾ÚÇÁ PEAVEY KB-300 ¾Ç±â ¹× ´Ù¸ñÀû ¼ÒÇü¾ÚÇÁ 50,000 ¿ø
5 ¾Ç±â¾ÚÇÁ Å°º¸µå¾ÚÇÁ PEAVEY KB-100 ¾Ç±â ¹× ´Ù¸ñÀû ¼ÒÇü¾ÚÇÁ 40,000 ¿ø
4 ¾Ç±â¾ÚÇÁ ´Ù¸ñÀû¾ÚÇÁ Çà»ç¿ë¾ÚÇÁ leem ka1210n (¼ÒÇü¾ÚÇÁ) 50,000 ¿ø
3 ¾Ç±â¾ÚÇÁ ±âŸ¾ÚÇÁ ·¹À̴ϾÚÇÁ(Laney) TF200 50,000 ¿ø
2 Ÿ¾Ç±â yamaha stage custom 5±âÅë ¾ß¸¶Çϵ巳 ½ºÅ×ÀÌÁöÄ¿½ºÅÒ 100,000 ¿ø
1 Ÿ¾Ç±â YAMAHA µå·³¼¼Æ®(¾ß¸¶ÇÏ ½ºÅÄ´ÙµåÇü) YD SERIES 100,000 ¿ø
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